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| Amplifier Model List | |||
| Amplifier | Ch. | Modes | Notes |
| Bassface '59 (US) | 1 | 1 | Model of a classic american 4x10" "bass" combo amp, tuned to be great for rhythm and blues playing on guitar once overdriven |
| Darkface '65 (US) | 1 | 2 | Model of a classic american 2x12" amp with very clean sound |
| Top30 (UK) | 2 | 2 | Model of a classic 2x12" UK combo with 'blue' speakers - the amp of choice of many great guitarists in the last 40 years or so: The Beatles, U2, Queen used them frequently |
| Rock '64 (UK) | 1 | 1 | The Bassface made it to the UK, and a great engineer turned it into the amp of choice for the UK rock-revolution |
| Rock '75 (UK) | 1 | 1 | An early 1970s model of the 800 classics |
| Rock 900 (UK) | 2 | 2 | Model of the UK rock sound from the 90s |
| Modern (US) | 3 | 8 | Model of the tube/diode rectifier US amp which started the NuMetal wave and is used in many other styles too |
| SloDrive (US) | 3 | 3 | Model of the first 3 channel hi-gain preamp, once model of choice for guitarists like Steve Lukather as well as many others |
| HeaVy51 (US) | 2 | 2 | Model of the first classic commercial Eddie amp |
| Overloud Custom (US) | 3 | 9 | An Overloud interpretation of a famous californian boutique ecstatic amp |
| Tumble ODS | 2 | 5 | Model of a special Overdrive amp made in Los Angeles in the '70s |
| Randall T2 | 3 | 3 | Authorized modeling of the Randall® T2 head. This model prodices produces an extremely powerful, punishing tone, powered by the "Valve-Dynamic®" technology. |
| Randall MrScary | 1 | 2 | Authorized modeling of the George Lynch signature Randall MTS® module. |
| Randall Threadplate | 1 | 2 | Authorized modeling of the Randall Threadplate MTS® module into the Lynch Box head. |
| Randall AC+ | 1 | 2 | Authorized modeling of the Randall AC plus MTS® module into the Lynch Box head. |
| Randall SuperV | 1 | 2 | Authorized modeling of the Randall Super V MTS® module into the Lynch Box head. |
| Randall Grail | 1 | 2 | Authorized modeling of the Randall Grail MTS module into the Lynch Box head. |
| Randall Plexi | 1 | 2 | Authorized modeling of the Randall Plexi MTS® module into the Lynch Box head. |
| Randall Tweed | 1 | 2 | Authorized modeling of the Randall Tweed MTS® module into the Lynch Box head. |
| Randall XTC | 1 | 2 | Authorized modeling of the Randall XTC MTS® module into the Lynch Box head. |
| Randall Ultra | 1 | 2 | Authorized modeling of the Randall Ultra MTS® module into the Lynch Box head. |
| Randall Ultra XL | 1 | 2 | Authorized modeling of the Randall Ultra XL MTS® module into the Lynch Box head. |
| Randall Clean | 1 | 2 | Authorized modeling of the Randall Clean MTS® module into the Lynch Box head. |
| Randall BlackFace | 1 | 2 | Authorized modeling of the Randall BlackFace MTS® module into the Lynch Box head. |
| Randall SL+ | 1 | 2 | Authorized modeling of the Randall SL+ MTS® module into the Lynch Box head. |
| Brunetti Mercury | 2 | 4 | Authorized modeling of the Brunetti Mercury head, giving you that elegant and evasive liquid metal sound. |
| Brunetti R-evo | 3 | 6 | Authorized modeling of the Brunetti R-evo® head, the evolution of the XL masterpiece. |
| THD Univalve | 1 | 16 | Authorized modeling of the THD Univalve® Single-Ended Class A amplifier. |
| THD Flexi 50 | 1 | 32 | Authorized modeling of the THD Flexi® 50W head. |
| High Wattage | 1 | 2 | Model of a Custom 100W amp made in England back in the 1974. |
| Total: 30 | 45 | 125 | |
| Cabinet Model List (29) | Mic Model List (18) |
- 1x10" Studio (US) |
- AustriaGold414 (C) - AustriaSilver414 (C) - AustriaTube12 (C) - TechJapan4033 (C) - Cool4038 (R) - RadioElectro16 (D) - TubeMicD1 (C) - German84 (C) - GermanTube47 (C) - GermanFet87 (C) - Australian1 (C) - California121 (R) - Square609 (D) - Square421 (D) - American52 (D) - American57 (D) - American58 (D) - American81 (C) C = Condenser D = Dynamic R = Ribbon |
| Effects - Modules | ||
| ___ | Overdrive | |
| S | BeeDeeToo | Bluesy, vintage tube amp tone from the japanese stomp-box maker |
| S | TubeNine | This is THE standard screaming overdrive green peda |
| S | SDriveOne | The classic, japanese, yellow overdrive pedal |
| S | Diode250 | The american classic, overdrive preamp model |
| S | Taxi Drive | Authorized modeling of the Brunetti TaxiDrive® overdrive pedal. |
| Distortion | ||
| S | Distort+ | This pedal is perhaps best known for its crunchy heavy metal sound that was featured by Randy Rhoads in his work with Ozzy Osbourne |
| S | TheCat | The mighty 'mouse' pedal |
| S | MetalTone | The classic japanese metal stomp-box |
| S | Diode69 | Modeled after the flannel-shirt wearers who defined the 90s sound |
| S | DistOne | The classic japanese distortion pedal |
| S | FatMuff | First introduced in the early 1970s and was used by artists including David Gilmour and Carlos Santana. Said to be designed after Jimi Hendrix sound. |
| S | Mercury Box | Authorized modeling of the Brunetti Mercury Box® distortion pedal |
| Fuzz | ||
| S | FussRace | The circular shaped fuzz box - originally from 1966. This was used by Jimi Hendrix. |
| S | TuneFox | Played by artists ranging from ZZ Top to Adrian Belew, Parliament-Funkadelic to Peter Frampton |
| S | Fuzzblend | Built with germanium transistors, this UK pedal had bold fuzz and maximum sustain. |
| Chorus | ||
| S | Digital | A model of one of the best digital chorus stomps around |
| R | Comb Chorus | Comb-filtered Chorus |
| R | Wave Chorus | Allows the selection of the kind of waveform modulating the signal |
| R | Filter Chorus | Filtered, colored chorus |
| S | Ensemble | Ensemble emulation from a famous string synthesizer |
| S | CHR-2 | The first chorus pedal for the japanese maker - here also in stereo |
| S | CHR-5 | The modern japanese chorus sound |
| S | Dimension | A magical japanese 4 preset-chorus effect |
| Delay | ||
| R | Digital Delay | A very clean sounding digital delay |
| R | Tape Delay | A model of tape delays, dark and fluttering as needed |
| R | Swept Delay | Sometimes referred to as Modulation/Delay |
| R | Filter Delay | Filtered delays for rich soundscapes |
| R | Pattern Delay | Choose among a large number of rhythmic patterns for trippy delays |
| R | Comb Delay | Sounds like an EQ, it's a delay in fact |
| R | Spatial Delay | Use it to create sense of space in a mono signal, or to control width and thickness of sound |
| S | D-Delay | A model of modern digital stomp-box delays |
| Compressor | ||
| R | VCA Comp |
Model of the classic VCA compressor from the inventors of the Voltage Controlled Amplifier IC |
| S | RSS Comp | Model of a classic compressor stomp-box |
| R | VariMu Comp | Model of a very famous Variable Mu, tube based compressor |
| Equalizer | ||
| R | Parametric EQ | Clean, precise parametric EQ with hi/lo pass and shelving capabilities |
| S | 7-Band GEQ | The classic 7-bands stomp-box equalizer |
| S | Amp EQ | 5 bands of pure californian 'mark' sound |
| Flanger | ||
| R | Comb Flanger | Comb-filtered flanger effect |
| R | Wave Flanger | Flanger with waveform selection |
| R | Filter Flanger | Filtered flanger sound |
| S | Analog Flanger | Inspired by a couple of the best analog flangers around |
| S | Mild Flanger | Posh, Classy flanger tone |
| S | Rich Flanger | Heavily modulated and colorful flanger |
| Phaser | ||
| R | Digital Phaser | The name says it all - modulatable parameters |
| S | Chorus-Phaser | Also here, the name says it all |
| S | OBH Phaser | Modeled after the "master" of all phasers as conceived by synth guru T.O. |
| S | 9-o-Phsr | The classic stomp-box phaser sound as heard on many early Eddie's hits |
| Pitch | ||
| R | Pitch Shift | A no-frills pitch shifter |
| S | Octaver | A better-than-the-original (tracks better the input pitch) model of a classic brown stomb box |
| Reverb | ||
| R | Spring Reverb | Model of a classic spring reverb used in american amplifiers. |
| R | Reverb Hall | Model of a digital hall reverb from the 80s - warm and rich |
| R | Reverb Plate | Model of a digital plate reverb from the 80s - dense and platey |
| R | Reverb Room | Model of a digital room reverb from the 80s - lush and thick |
| R | Reverb Inverse | Good to emulate that backwards sound |
| S | D-Reverb | A digital reverb stomp-box |
| Tremolo | ||
| S | AmpTrem | Extended model of classic amplifier tremolo/vibrato - featues choice of waveform, modern or analog modeled |
| Vibrato | ||
| S | JC Vibrato | Comes from a japanese transistor jazz guitar amp |
| S | UniVibrato | Got that vibe! Chorus/Vibrato sound |
| Wah | ||
| R | Mu-Wah | Totally configurable 'wah' effect with different filter models |
| P | Crying Wah | The classic wah sound |
| P | Rock Wah | UK wah - both the vintage and reissue models (switch) |
| S | Auto Wah | Automatic (input driven) wah with low-pass, band and hi-pass modes |
| Other | ||
| P | Volume Pedal | Well... what else? It's got a setting for the minimum volume position |
| S | AcGtrSimul | Acoustic guitar emulator |
| R | Looper | A 32 track stereo looper for realtime recording and overdubbing your loops |
| Noise Reduction |
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| S | Gate Expander | A dual effect, both a gate and and expander with indipendent parameters |
| Cabinet | ||
| Cabinet | Based on ReSPiRe 2 technology, quad mic mixer, with rear and 45° mics. | |
| Cabinet IR | Loads up to two Impulse Responses. Choose from the included set of IRs or import from any impulse response library. Microdelay, filters, phase and balance controls for extended sound-sculpting possibilities. | |
| TH1 Cabinet | Dual mic choice (see list of cabs and list of mics in a separate table), balance, filters and phase switch. | |
| Amp | ||
| Amp | Amp module hosting all amplifiers in TH2. Features SLR morphing and VariFire technology. | |
| Amp + Cab | Loads an amp followed by a cabinet: matching is turned on by default | |
| R | Saint Amp | Emulates a classic amp+cab in a pedal. |
| TOTAL | 71 Modules | |
R = Rack | S = Stomp Box | P = Pedal/Expression