TH-U Made In Rock - PFL 100
The unique emulation of the HIWATT* 100 head, and its matched cabinet, belonged to David Gilmour*, Pink Floyd*
TH-U Made In Rock PFL 100 is the plug-in based on the unique and finest emulation of the HIWATT* 100 DR103 head, and its matched cabinet, which belonged to the Pink Floyd*.
The amp is currently part of the Made In Rock private collection, expanded in the last 20 years by acquiring amplifiers, effects, guitars and other items from the stages of glorious artists, like the Led Zeppelin, Noel Gallagher and the Black Sabbath.
THE PLUG-IN INCLUDES
- The Made-In-Rock PFL 100 amplifier model
- The matched cabinet model, seeking to recreate the 4x12* Wem Starfinder
- A bank of presets with the sounds of the most famous songs played with that amp
- Models created with Fluid Capturing, the new frontier of emulation in 2024. Learn more…
- 15 more models, including overdrives, modulation, reverbs and the emulation of the magnetic drum delay Binson Echorec*. Click for model list...
STANDALONE AND EXPANSION PACK
It is both a TH-U expansion pack and a Standalone plugin, meaning that it can expand the model list of an existing TH-U installation, or it can also be purchased as self-contained pack which includes all the TH-U editing features, including the Rig Player, the Amp Tweaks, the Tuner and the Looper, with no need to have a pre-existing TH-U license.
THE HISTORY OF A LEGEND
The reference amplifier is a Hiwatt 100W model DR103, owned by the Pink Floyd and played by David Gilmour.
This is the head used to record the 1977 Animals album, as well as for numerous live performances.
Head date: 1971
Serial no: 16xx series
Purchased from: Chris Hewitt
Serviced by: Pete Cornish
The head is matched with the 4x12" Wem* Starfinder cabinet, equipped with Fane Crescendo* speakers.
See more pictures of the amp on the Made In Rock website.
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Made-In-Rock is an organization which manages a vast collection of items related to the history of rock, including musical instrument, guitar and bass amplifiers and cabinets, effects, clothing and stage items owned by legendary artists who made the history of rock, as well as magazines, posters, fliers, tickets and books of that era.
See the collection...
The purpose is to preserve those items and bring their knowledge to younger generations.
Being Overloud's Fluid Capturing the most advanced capturing technology to date, it has been the perfect choice to accomplish the sound preservation task. It allows to capture and replicate every tonal and emotional details of each amp.
EVERY TONAL AND EMOTIONAL DETAIL CAPTURED
The TH-U PFL 100 model is renowned for its exceptional cleans and its wide dynamic range, making it the perfect pedal platform. This amplifier features two input channels, Normal and Brilliant, each with its own independent drive knob. The Linked input allows for mixing the two channels, offering infinite combinations of tones.
When the channel volume knobs are turned past 2 o’clock, the amp starts to break up and "grind" the top-end, revealing a rich and colorful crunchy tone.
The matched cabinet is the 4x12" Wem Starfinder* with Fane Crescendo* speakers, which can handle a huge dynamic range and retain a lot of definition. It has been captured with 18 microphones with high resolution nonlinear IRs; thanks to Overloud Fluid Convolution you can place up to 4 microhpnes in the 3D space around the cab and blend them with custom IRs. The ReSPiRe option adds the feeling of standing nearby the cabinet.
THE AMPS OWNED BY THE ROCK LEGENDS
Discover all the amps of the Made In Rock collection that has been modeled in TH-U
AND SAVE WITH THE FLEXIBLE BUNDLE OF 3
ALSO ON iOS
This plug-in is also available for TH-U iOS as an In-App purchase.
GET IT FOR JUST $1
Activate the Desktop license and unlock the iOS version for just $1!
WHAT IS OVERLOUD FLUID CAPTURING?
Also called "schematic-assisted capturing", Overloud’s Fluid Capturing is an innovative amp simulation process that combines the advantages of both the modelling and capturing techniques.
An amp capture is a super realistic but static “picture” of the amp sampled with a particular knob setting and operating level. A single capture cannot replicate the amp tone at all the knob settings.
Instead, a modelled amp reacts like the original, at all dynamic ranges and knob positions. However tone may not 100% match a particular sample, due to component tolerances, tube conditions, servicing history and customizations.
With Fluid Capturing, we both model the amp and sample it with lot of different settings. Putting together these data allows us to create a digital model which is flexible like a modeled amp and realistic like a captured amp.
* Any use of third party trademarks, logos, mentioned brand names, artist names, products and services is only referential and Overloud hereby disclaims any Sponsorship, Affiliation or Endorsement of or by any such third party. The brand name Marshall appearing in the Made In Rock collection pictures is referential and Overloud hereby disclaims any Sponsorship, Affiliation or Endorsement of or by Marshall.