Models

Complete model list

A journey inside our fantastic products. Discover all the technical features! Just a simple click!

  • Max Ostro Pure
    Max Ostro Pure

    This is a super clean, tight and highly dynamic tone that allows to create lush atmospheres and, at the same time, be very reactive on transients for the fastest and most technincal passages. All his “go to” EQ and Dynamics settings have been featured into this model to immediately replicate Max clean tones.

  • Max Ostro Promenade
    Max Ostro Promenade

    This is the main amp model Max uses together with his overdrive pedals in his virtuoso solo parts, when any note and articulation needs to be clear. It is a very versatile model thanks to the Boost and Mode switches which can select multiple kind of voicings.

  • Wax Ostro
    Wax Ostro

    This high gain head is ideal for more melodic solos when a lot of sustain is needed. Its particular EQ shaping makes this amp pop out of the mix

  • 2x12 Pure
    2x12 Pure

    This cabinet works great when paired with the Max Ostro Pure amp, looking for clean and transparent tones, offering a great dynamic response and warm sound.

  • 2x12 Max Ostro Promenade
    2x12 Max Ostro Promenade

    With its mid bump and top end roll-off, this cabinet is ideal for mid gain and electro tones, helping to cut the mix while keeping the sound warm.

  • 4x12 Wax Ostro
    4x12 Wax Ostro

    This cabinet represents Max’s most modern and tight sounding speaker. It works great for Rhythm and Lead parts and it delivers a bright and powerful tone when paired with the Wax Ostro head

  • Keys to the shredderini
    Keys to the shredderini

    This pedal recreates the unique Max Ostro detune-delay tone. This is a signature of his sound, and it is obtained by combining a delay with an Eventide-like detune modulation in the delay feedback.

  • Crispy Palm Tree
    Crispy Palm Tree

    This amp-in-a-box is a pedal that replicates the 5 Max favourite high gain electro-fusion amp sounds. Each setting combines an amp model and a Max IR used in his most famous solos.

  • Duck Emulator
    Duck Emulator

    This overdrive pedal is the most creative effect Max uses for his famous octave/distortion sounds. It is designed for solo parts, and his distinctive octave-up circuit doubles the pitch while adding distortion and a lot of sustain. The mode knob allows to select between three different settings of octave generation, eq shaping and overdrive dynamic.

  • Max Shaper
    Max Shaper

    The Max Shaper enhances the attack of the notes by increasing the transients. This is particularly helpful in the faster parts where it is not possible to pick all the notes. In addition, it allows to control the release envelope of the long notes by increasing or reducing the sustain without compressing the dynamic.

  • Ostroah
    Ostroah

    This autowah has a special filter whose shape is part of the unique Max Ostro tone. You can control the sensitivity of the filter and how the resonance reacts to the playing dynamics. Also you can apply the wah wah effect only on one channel, for interesting pseudo-stereo effects.

  • Modern CH3 (US)
    Modern CH3 (US)

    This American tube amplifier is known for its super heavy tight distortion channel and is mostly used in heavier styles of music. It is however a very versatile all tube guitar amplifier that can work well in many musical styles. This third channel is what this amp is most known for. It hosts a plethora of heavy tones that will work great with any sub-genres of metal. This channel also does wonders to your lead lines. The distortion is very polished and musical.

  • 1x12 Clst (UK)
    1x12 Clst (UK)

    This 1 x 12”guitar cabinet is a great choice for any musical styles. Equipped with Celestion speakers, this module is a favorite amongst many players who require a single speaker tone that can handle cleans, overdriven tones, and heavier lead sounds. Many blues rock players have made this 1x12" Clst (UK) guitar cabinet the central part of their set up. Because it is a single speaker cab, your tone will sound more focused and take a little less space.

  • Reverse Delay
    Reverse Delay

    This pedal reproduced a reversed chunk of the input tone. You can sync the delay time to the BPM to have inverted rhythmic parts, or it can be used with a long delay time to recreate uncommon atmospheres. The Stereo spread knob allows to open the tone on the stereo field by using a slightly different delay time from left to right.

  • D-Delay
    D-Delay

    The D-Delay is modeled after a very famous stomp box pedal effect made by a very well known Japanese manufacturer. This pedal is a digital delay and will give you a very clean and precise processed signal.The effect offers a Tap function allowing you to match the repetitions to the tempo of the song you are playing. The D-Delay is a stereo effect and allows you to bounce the delayed track left and right which works wonderfully on clean arpeggiated sections.

     

  • D-Reverb
    D-Reverb

    The D-Reverb is powered by Overloud’s BREVERB and produces beautiful musical digital reverberation. This effect offers a very pure echo to your sound that will work in any musical situations. Add to this effect to a clean arpeggio guitar section to make its more musical. Try it with an overdriven guitar tone to add more depth in space to your sound. The D-Reverb Is a very simple guitar pedal to use. This module will make any guitar tones sound richer.

  • Dimension
    Dimension

    The Dimension is modeled after a very famous Japanese analog chorus effect pedal released in the 80s. This chorus offers four distinct presets to chose from. The Dimension is a very simple pedal to use as all the settings are already internally built within each of the presets. This pedal will cover most of your chorus needs. It will add depth and width to your clean arrangements. The Dimension chorus is a great choice for ballads and will give you the classic sound heard on many records from the 80s and 90s. 

  • distort+
    distort+

    The Distort+ is modeled after a famous distortion stomp box distortion pedal used on countless classic hard rock records. The original distortion pedal the Distort+ is modeled after was extensively used by Randy Rhoads in his work with Ozzy Osbourne. This pedal is capable of great rich rhythm tones perfect for heavy blues and hard rock sounds. Decreasing the tone knob will give you a British “Brown Tone” sounding overdrive suitable for classic rock tones.

  • CHR-2
    CHR-2

    The CHR-2 chorus is modeled after a very popular Japanese stomp box effect pedal released in the early 80s. This pedal will give you a classic sounding chorus as heard on many classic rock records. The CHR-2 works great with arpeggiated chords. It does a great job at preserving your guitar’s original tonal character. This discreet sounding chorus is perfect for clean tones. It will enhance your sound without over-coloring your original tone. It is the perfect addition to any guitar effect rig!

  • 9-O' PHASER
    9-O' PHASER

    The 9-o-Phsr is faithfully modeled after a very famous Phaser stomp box made popular by the great Eddie Van Halen. This effect pedal will work in many musical situations. In front of a clean guitar amplifier, this phaser will produce beautiful rich musical tones that will flow with the rhythm of the song you are playing. Adding it in front of a heavy guitar amp will naturally enhance certain harmonics and help your riffs cut through any mix. The 9-o-Phsr is an excellent choice if you are into rock music. It will produce a very analog like filter effects that will enhance any guitar sections you through it.

  • VOLUME
    VOLUME

    The volume pedal is a very simple effect that allows you to control the amount of volume that comes out of your rig. By assigning a MIDI controller to the Volume Pedal, you can create beautiful atmospheric swells with your foot. Adding some reverb and delay to your tone will work particularly well with this technique. The Volume Pedal is also a great tool to use live as it will help you manually set the overall volume of your guitar rig without having to mess with the amplifier.

  • Harmoniser

    This intelligent three voice harmonizer creates second voices and chords on your solos. Thanks to its last generation detection algorithm, it can steadily track your parts without introducing any artefact.

  • Room Rev
    Room Rev

    The Room reverb is powered by Overloud’s BREVERB. His module simulates the reverberation you would get from playing in a small to medium size room. This type of reverb is very natural sounding and can be used in any musical styles. Adding the Room Reverb to your guitar signal will add natural depth to your tone. This can make your guitar sound more natural and musical. If you are looking to add more realism to your recorded tracks, give the Room Reverb to try.

  • Digital Delay

    The Digital Delay module is a very clean delay effect designed by Overloud. Because the delay is digital, it will reproduce exactly the original sound you are playing. This makes it a perfect choice for many musical situations, especially in modern music where it is often important to preserve a clean unaltered signal. The unit can be set to mono or stereo depending on the rig you are building. A convenient Tap button has been added to the effect to allow you to match the repetitions to the tempo of the song you are playing.

  • VariMu Comp
    VariMu Comp

    The VariMu Comp is an Overloud custom compressor inspired by some of the best studio compressors in the world. Using the VariMu Comp on your guitar tracks will thicken them and add warmth to them. This is a discreet effect that will make any tone more musical. This module is suited for any musical genres. Using it over clean arpeggiated chords will help each note sound more consistent. Using it over a rich distorted tone will help the notes sustain more and encourage natural feedback to occur.

  • Parametric EQ
    Parametric EQ

    The Parametric EQ is an Overloud custom equalizer that allows you to shape your tone further than what most guitar amplifiers allow you to. Two separate frequencies can be adjusted. This module is particularly useful when trying to make a lead guitar stand out in a mix. Increasing the mids will give you more definition and help you cut through the other tracks. Scooping the mids will give you a super heavy tone when used in conjunction of a heavily distorted amp.